Fender Custom '56 Stratocaster Relic • SN: R58694

!±8± Fender Custom '56 Stratocaster Relic • SN: R58694

Site: www.wildwoodguitars.com Serial Number: R58694 Brand: Fender Custom Shop Model: '56 Stratocaster Relic Year: 1956 Finish Color: Faded Firemist Red Aging: Relic Finish Type: Nitrocellulose Lacquer Weight: 7.32 lbs. Body Wood: Select Alder Neck Wood: Maple Neck Shape: 10/56 "V" Fingerboard Radius: Custom 9.5" Scale Length: 25.5" (648 mm) Width at Nut: 1.650" (42 mm) Frets: 21 Dunlop 6105 Pickups: 3 Custom '50s Single-Coils Controls: Master Volume, 2 Tone, 5-Way Switch Hardware : Nickel/Chrome Bridge: American Vintage Synchronized Tremolo Tuners: Fender/Gotoh Vintage Style Pickguard: Single-Ply White Case: Vintage Style Tweed Case Case Candy: Strap, Cable COA: Yes

Fender Custom '56 Stratocaster Relic • SN: R58694

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Carvin Bolt Review

!±8± Carvin Bolt Review

All in all, the Carvin Bolt-T is an amazing guitar, offering flexibility, world-class playability, and a wide range of sounds.

It seems like nearly every guitar company offers their take on the time-honored Stratocaster model. Indeed, such "Super-Strat" guitars are to be found everywhere. When a maker opts to make an entry into this already-crowded market, we have to ask if they really have anything unique to offer. With their Bolt and Bolt-T line of guitars, Carvin re-enters the bolt-on neck guitar market, and does so in a spectacular manner. As we'll soon show, the Carvin Bolt and Bolt-T would even make Leo Fender proud.

Features
As is the case with all of their guitars and basses (except for the Cobalt series), Carvin's Bolt guitars can be purchased with a number of options, including customizations of wood, hardware, color, and pickups. There is no "standard" Bolt, so what follows was based on our preferences. The guitar we reviewed came with an alder body and a beautiful flamed maple top with crimson red finish. We ordered a humbucker in the bridge position and a black perloid pickguard. We left the single coils in the neck and middle positions, just so we could still get some realistic Strat-like sounds. We also ordered the Bolt with the Wilkinson vibrato bridge.

Performance
With respect to the guitar's electronics, it relies on a master volume and tone as well as a standard Stat-style five-way selector switch. It also has two mini-toggles. One allows you to add the bridge pickup in positions four and five while the other allows you to split the bridge humbucker. Obviously, the Carvin Bolt-T has a huge palette of sonic possibilities.

We tried as hard as we could, but we couldn't make the Wilkinson tremolo to go out of tune, even with some extreme "Van Halen" whammy action. Adding the optional Sperzel locking tuners didn't hurt the tuning, as you'd expect. When you add the fine Wilkinson bridge and the locking tuners with the Graphtech nut, you've got a recipe for perfect tuning!

If you've never played a Carvin guitar before, then you're missing out on some of the fastest guitars in the world. We opted to get our Bolt-T with 22 medium-jumbo stainless steel frets and an ebony fingerboard. We were completely blown away, as it was far better playing than instruments that cost two or three times as much! The neck's tung oil finish added to this silky smooth feel and playability.

When we opened the box, we were amazed that the Carvin guitar was actually tuned to pitch and didn't require any adjustments when we removed it from the light but bulletproof ABS case. Again, Carvin just amazed us with their attention to detail.

The Bolt-T has numerous selling points: a gorgeous finish, extreme playability, and wonderful sounds. Perhaps the most compelling reason to pick up a Bolt, though, is the price. You can get a custom-made instrument for less than ,000, including shipping and a hardshell case. Other major guitar-makers should stand up and notice.

The Bottom Line
All in all, the Carvin Bolt-T is an amazing guitar offering flexibility, world-class playability, and a wide range of sounds. If you want a guitar that gives you world-class sound and playability at a low price, the Carvin Bolt-T is sure to satisfy!

Name of Gear: Carvin Bolt-T
List Price: ,699.99
Manufacturer Info: Carvin Music; carvin.com
Pros: Very customizable; fast, comfortable neck; amazing value
Cons: None

Carvin Bolt Review

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All About the Fender Jaguar Guitar

!±8± All About the Fender Jaguar Guitar

Originally, the Fender Jaguar Guitar was introduced in 1962. The design was based off the Jazzmaster. The way that it differed had to do with the offset waist and floating tremolo system. In addition, it was given a shorter 24 inch scale in comparison to the jazzmaster as well.

Overall, only small changes were made in comparison to the old Jazzmaster. Mostly, this had to do with small changes to the body, as well as the scale length. The Jaguar came fitted with a 22 fret neck and became the first to have this feature among the Fender guitars.

In addition, some changes were made for visual appearance. Among these changes were the addition of metal control plates. Although the changes made revolved around appearance it related to the idea of the change on how the guitar was assembled as well.

No longer were the components soldered outside of the body and to installed to the rear of the pickguard, but rather wired into each section. Additionally, the wire only had the drilled holes to pass through. Another difference featured with the Jaguar had to do with the flip mute mechanism, which had to do with other manufactures who offered this at this time.

At the time they were made, it was in the first month of the year of 1962. Many think that they were made on a promotional basis. It was not until March of 1962 that they were made in larger quantities. Many of the guitars of this kind were made in custom colors, featuring matching headstocks.

In April of that year, it was the first time they were stamped with a code that identified the model, month, and year, in addition to the nut width on them. At the start of July in the same year, the veneer rosewood, replaced the slab type. Additionally, the pontentiometers started being consistently stamped with part numbers.

By January of 1965, clay dots were no longer used. These were completely replaced with pearloid dots. Another change that occurred early in the same year had to do with the material used with the pickguard, which was changed over from a nitrate material to a vinyl material. When this happened, this caused the tortoise pickguards to change from blotchy brown and yellow to a purplish red color.

Many other changes occurred along as well. However, the Fender Jaguar Guitar was originally made to become one of the top line guitars, but never made it to that level of popularity as the Stratocaster and Telecaster did. Many additional upgrades were made to the guitar until finally laying it to rest in 1975.

All About the Fender Jaguar Guitar

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Fender American Vintage '62 Stratocaster Olympic White

!±8± Fender American Vintage '62 Stratocaster Olympic White

Brand : Fender | Rate : | Price :
Post Date : Dec 04, 2011 14:24:46 | Usually ships in 1-2 business days

Straight from the Time Machine™ to You!While the Telecaster® (and the single pickup version, the Esquire) was a success, Leo Fender listened to players who were looking for an instrument that was a step up from the "plain vanilla" Tele®. The company had moved into a new factory and now had the ability to build an upscale solid body electric. In 1954, the Fender Stratocaster made its debut and a true American icon was born. By 1957, some would say the maple neck Strat had been perfected with features like the "custom contoured" body. In 1962, the Strat had finally become available with the more traditional rosewood fingerboard.Fender employees Dan Smith and John Page flew all over the country and looked at every vintage Strat®, eventually deciding that the 1957 model, as well as the 1962 model with rosewood fingerboard, were the quintessential Strats. Recreated using measurements taken from over 200 Stratocasters, the '62 Strat truly looks like it came straight from the Time Machine™. Its sleek, stylish lines in some ways seem to owe more to contemporary automobile designs than traditional guitar building. This recreation features a three-color sunburst with a nitro-cellulose lacquer finish over a solid alder body, along with all the other features that made the original instrument such an overwhelming success. These include a multi-ply "mint green"-ply white pickguard and an American Vintage synchronized tremolo.That Trademark Strat SoundGood looks are just part of the story. The '62 Strat also sounds faithful to the original thanks to three newly designed '57/'62 American Vintage single coil pickups with aged covers. This delivers all the "spank and sparkle" you'd expect, and just like the original, the '62 Strat comes with the three-position blade selector switch (back then, players had to carefully place their switches in the "in between" positions to access pickup combinations for what was inaccurately called the "out-of-phase"...

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Squier by Fender John 5 Telecaster, Black

!±8± Squier by Fender John 5 Telecaster, Black

Brand : Squier by Fender | Rate : | Price : $379.99
Post Date : Nov 28, 2011 18:12:51 | Usually ships in 24 hours

Squier by Fender John 5 Telecaster, Black

John 5 is a self-described “Fender® fanatic” with a jaw-dropping collection of his favorite instrument, the Telecaster® (“the greatest guitars ever built, by far,” in his words). His Squier signature model, the J5 Telecaster, is a double-bound beauty based on his oft-modded workhorse Telecaster, which was pieced together at the Fender Custom Shop. Features include John 5’s distinctive black-and- chrome look—a double-bound alder body with a gloss black polyester finish, a polished stainless steel pickguard and chrome hardware. The one-piece maple neck has a modern C shape, a matching black Telecaster headstock and a 12”-radius rosewood fingerboard with 22 medium jumbo frets. The custom-designed humbucking pickups use a special dual-volume setup with the bridge pickup control in the front position and the neck pickup control in the back position (5 prefers this setup because he spends much time giving the bridge pickup a workout). Rapid toggling the upper-bout three-way pickup switch gives you 5’s signature “kill” effect by turning off the neck pickup volume and leaving the bridge control full up.

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PRS Mira Review - Read Before You Buy!

!±8± PRS Mira Review - Read Before You Buy!

The PRS Mira displays a well-thought out design in every aspect - aesthetics, playability, and comfort.

Whereas a lot of different guitar companies seem to introduce 100 "new" models every year, Paul Reed Smith takes the opposite approach: only introduce a new guitar when you've got something new to say. So, when they showed off the new PRS Mira, it was obvious that they had a worthy contribution to their lineup.

What's odd about the Mira, though, is that while it's one of the newest guitars in the PRS lineup, it has a vintage style and look about it. Let's take a look at the details.

Features
The guitar's top is a flat-top and made of mahogany. The Mira features exposed coil humbuckers, master volume and tone, and a 3-way pickup switch. A mini-toggle for coil-tapping is also standard. The Mira also has a mahogany set neck design with the popular wide/thin profile. The guitar is a 25" scale and sports a 10" fingerboard radius and 24 jumbo frets. The Mira has the Phase II low-mass locking tuners and a compensated stoptail bridge.

Performance
Like any PRS we've ever played, the fretwork is immaculate. Fast runs, bends, and chording all come easily. We've come to expect superior playability with PRS guitars, so this wasn't a great surprise. With the Mira, though, the little things do matter. For example, even the control knobs (translucent) let you know that they're striving for something a bit different.

Perhaps the most striking feature of the Mira is its vintage vibe. It has a look unlike other PRS guitars that sets it apart from the crowd. We tested one with a really cool Wild Mint finish and the optional bird inlays. The Mira has a simple class that gives it a feel all its own. Really, it's the little things that help set it apart, like a matching pickguard and truss rod cover. The cutaways are reminiscent of an old Gibson Les Paul Special. These "little" things show that the folks at PRS put a lot of thought into the Mira's design.

The Phase II tuners do a perfect job of keeping the guitar in tune, and the compensated bridge provided excellent intonation. The Mira also weighed in at about six and a half pounds, which, if you gig regularly, could be a real life-saver (well, back-saver at least).

The electronics are made especially for the Mira, and like all PRS pickups, are tightly matched to the guitar. The pickups are pretty hot, which gives them a wide range of tonal options. Both the highs and bottoms are clearly pronounced, and the mids are strong without being nasally. You can also engage some convincing Strat sounds by engaging the coil-tap switch. Though the Mira's pickups definitely favor the blues and rock and roll range, the tone controls and coil-tap provide a good deal of versatility.

We tested the Mira through a variety of amps - Marshall, Fender, Mesa Boogie - and the Mira sounded great through all of them, whether it was a clean, dirty, or fully distorted tone. It doesn't exactly look like a "shredder" guitar, but the Mira can definitely do some serious damage if need be. Again, it's a pretty versatile guitar.

The Bottom Line
Few guitar makers have mass manufacturing down to a science the way PRS does, and the Mira is just more proof of that. It displays a well-thought out design in every aspect - aesthetics, playability, and comfort. With the Mira, PRS offers a guitar with just a little different feel from the norm.

Name of Gear: PRS Mira
List Price: ,849.00
Manufacturer Info: Paul Reed Smith Guitars; prsguitars.com
Pros: Good value; very good action; perfect fretwork; wide array of sounds
Cons: None

PRS Mira Review - Read Before You Buy!

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Fender 62: American Vintage 62 Stratocaster Review

!±8± Fender 62: American Vintage 62 Stratocaster Review

Since the introduction of the American Vintage 57 Strat, Fender 62 has marked a significant point in the history of Fender. One of the most apparent changes, for instance, is the 3-ply pickguards in the '62 model instead of the single-ply pickguards in the earlier Strat.

The following is the review of the American Vintage 62 Stratocaster:

The bridge pickup has a chewy, grindy quality with suppressed bass and vibrant mid-range. At lower gain levels it's thin but not particularly brittle, while various levels of overdrive bring out successive layers of fatness and chunk that'll mask some of the treble. Some players would wire the bridge pickup to one of the tone controls to tame its edge. The harder you play, the brighter it sounds, giving an interactive experience.

The middle pickup has a hollow voice with more bass and less treble than the bridge pickup. Although many players consider the bridge pickup as the main pickup, some feel that the middle pickup is the default position. If you need more treble, simple flip to the bridge. Need something rounder and juicier, switch to the neck. The middle pickup is also good for Hendrix tones, clean and driven, and it seems to favor complex chords between the 5th and 12th frets.

The neck pickup has a great lively tone: it's fat, loud and articulate. Like the interactivity of the bridge pickup, you'll hear that classic Strat sound if you dig in hard here. Or you'll get a softer, rounder voice that sound great when played with fingerstyle.

The neck may take some getting used to. The rounded fretboard radius (7.25?) may not suit everyone. If you like the jumbo frets and flatter radii, you might find it even somewhat confronting.

There's a 60 cycle hum, although it's not really a bad thing. The control cavity is very well screened. The pickguard is completely backed with a sheet of metal to block out external interference. If the hiss is a problem you could upgrade the pickups, although many players prefer the subtle background noise that represents vintageness.

Features of this 62 Stratocaster:

* Alder body: finished with nitrocellulose lacquer allowing the wood to breathe and age elegantly
* Neck: features 21 small vintage frets with white pearloid postition markers
* 3 Fender American Vintage 57/62 Strat single-coil pickups
* Master volume pot and tone control for the neck and middle pickup with a 5-way switch
* Original strap and cable and the "ashtray" bridge cover

In conclusion, if the hum, the rounded fretboard radius and the nitro finish bother you, then look for something else. However, if you are attracted to the tone, vibe, nuance, construction, responsiveness and the interactive playability, then give this Fender 62 a try.

Fender 62: American Vintage 62 Stratocaster Review

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Squier by Fender Affinity Telecaster, Butterscotch Blonde

!±8± Squier by Fender Affinity Telecaster, Butterscotch Blonde

Brand : Squier by Fender | Rate : | Price : $179.99
Post Date : Nov 13, 2011 08:40:16 | Usually ships in 24 hours

Squier by Fender Affinity Telecaster, Butterscotch Blonde

Our Affinity Series Tele® guitar features two single-coil pickups, three-way switching and truly classic Telecaster® guitar style. This special-edition version features a alder body with a Butterscotch Blonde finish, and a maple neck. Its electronics include two single-coil pickups, a three-way pickup selector switch, volume and tone controls.

Affinity Series guitars are designed to offer beginning players quality playable instruments to learn on that will tune well, sound great, last for years, and inspire creativity. This one is modeled on Fendder's classic Telecaster design which was first introduced in 1950 and is still a venerated favorite among players today.

Specifications

• Body Alder
• Neck
  • Maple, C-Shape,
  • (Polyurethane Finish)
• Fingerboard Maple, 9.5” Radius (241 mm)
• No. of Frets 21 Medium Jumbo
• Pickups 2 Single-Coil Pickups
• Controls Volume, Tone
• Pickup Switching
  • 3-Position Blade:
  • Position 1. Bridge Pickup
  • Position 2. Bridge and Neck Pickups
  • Position 3. Neck Pickup
• Bridge 6-Saddle Top-Load Bridge
• Machine Heads Standard Die-Cast Tuners
• Hardware Chrome
• Pickguard 1-Ply Black
• Scale Length 25.5” (648 mm)
• Width at Nut 1.61” (40.9 mm)
• Unique Features Black Plastic Nut, Black Top-Hat Switch Tip, Black Silkscreen Logo, Dot Position Inlays
• Strings Fender Super 250L, (.009 to .042) Nickel Plated Steel, P/N 073-0250-003

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